No one dies a virgin because life screws us all
River Road, NC
Joined July 2026
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Arch Nuel retweeted
This is just a long story. His second summer window of João Neves, Doué and Pacho changed everything, plus moving Dembélé to the middle as a striker. He brought in more suitable players with legs, and other bought into his demands.
You have to give a manager time to build his own squad; at times, one or two windows are not enough.
Arch Nuel retweeted
Sammy Cullen Maina. Remember that name.
Arch Nuel retweeted
Some people think that Enrique came in and lit up PSG. He had a poor first year and faced calls for his sacking from PSG fans.
But alas, if you know what you want and the club has your back to keep making adjustments, you will succeed as a coach.
Like I always say, the most important thing is trust in the manager, his ideas, and the project.
Arch Nuel retweeted
INVENTARON la pólvora, la tinta, la pasta –porque seguramente piensas que fueron los italianos jeje–, el papel, la brújula, la imprenta, la seda, el papel moneda, la porcelana, la acupuntura, el sismoscopio (detector de terremotos)...
La ignorancia es atrevida, oyó 🤭
Arch Nuel retweeted
That night, the tiki-taka era ended, and the power midfield era began.
23 April 2013. Allianz Arena. Bayern vs Barcelona, Champions League semi-final first leg.
Schweinsteiger No.31 with his back to camera. It looks quiet. It was the calm before Bayern broke Barcelona.
On one side, prime Xavi and Iniesta. The masters of tiki-taka, World Cup and Euro winners with Spain, who controlled games by passing teams to death.
On the other side, a different breed. Schweinsteiger and Javi Martinez. Not artists, warriors. Big, physical midfielders whose first job was to destroy.
Jupp Heynckes did not try to out-pass Barcelona. He told his double pivot to stay tight, stay central, and mark man-to-man.
Schweinsteiger fronted Messi and denied him easy balls. Martinez hunted Iniesta and barely gave him time to turn. Muller and Gomez pressed Busquets, the link man. He touched the ball 57 times that night, down from 93 in the 4-0 win over Milan earlier that season.
Xavi and Iniesta still kept the ball, but they were forced deep, passing sideways and backwards to Pique and Bartra. Barcelona had 66% possession, but Bayern had 15 shots to their 4.
Then Bayern punished them with power. Muller header from a corner, Gomez, Robben after a Schweinsteiger drive, Muller again. 4-0.
The second leg was worse. 1 May, Camp Nou. Messi did not even start, he stayed on the bench for 90 minutes. Bayern won 3-0 again. Xavi and Iniesta were taken off early, the tie already lost.
7-0 on aggregate. The biggest semi-final win in Champions League history.
Xavi and Iniesta played chess. Schweinsteiger and Martinez flipped the board.
Arch Nuel retweeted
Nigerians men and women are now having a competition of who is marrying white pipo more! I swear they steady embarrassing black people on this internet every. single. day 😭😭😭
Arch Nuel retweeted
“Through the first three weeks of the season, rookie Yaxel Lendeborg has been perfect for the Golden State Warriors, and the Warriors have been perfect for Lendeborg. [His] scoring and shooting have been impressive, but he’s also collecting rebounds, assists, blocks and steals.”
Yaxel Lendeborg (21.4 PPG, 7.2 RPG, 4.0 APG) rises to the top of @JeffZillgitt’s Kia Rookie Ladder! See the full list and breakdown on the NBA App.
Arch Nuel retweeted
Ignorant Kenyans in the comment section will think this is a good thing. The evil epstein class might just be using her and Bien to further their demonic agenda
Afrobeats And Its Links To US Secret Intelligence
Have you ever found yourself wondering why Afrobeats - the joyful soundtrack to the "Africa Rising" era from the late 2000s through the early 2010s - seems to have lost much of its energy and lustre of recent? Does it seem to you like the music no longer belongs to the fans and has become a distant, expensive product that nobody can relate with anymore?
You are not imagining it - in fact the reality of what has happened to Afrobeats is a lot darker than you would possibly imagine. Far from just a fresh music genre that embodied the sounds and aspirations of a new generation across the continent, it has been coopted into the arsenal of the US government's extensive foreign influence and interference tools. In fact, your favourite Afrobeats artist, as incredible as it sounds, most likely now has a handler permanently assigned to them by the US State Department.
In this special report, The Spearhead Senior Reporter Mckay Chukwu examines a story that has been hiding in plain sight for years, detailing the State Department's well-funded cultural interference infrastructure which has been deployed all over the Global South to bend entire populations and their governments toward the foreign policy goals of the US government.
