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It’s a bigger honour than many countries’ highest civilian honour.
Thank you @ARanganathan72 😂🙏🏻
The Tata Group builds chips, defence platforms and clean energy infrastructure for India. It is a national institution, not just a business.
Its leadership must uphold the highest standards of transparency, accountability and commitment to India’s interests. Given its strategic importance, questions around the citizenship, residency and eligibility of its leadership deserve clear and transparent answers.
aninews.in/news/business/meh…
The number of users the makers seem to have hired to troll and abuse anyone giving an honest review is probably what’s pushing the movie’s budget to ₹4,000 crore. Otherwise, the film hardly looks like a ₹100-crore production.
A simple observation that the film fails to evoke any emotional connect or sense of devotion seems to have deeply hurt the makers, who appear to have tasked their PR agency with deploying users to target and abuse those expressing an honest opinion.
Abusing critics won’t change the reality. No amount of PR can manufacture the emotional connect that the film fails to deliver.
Looks like the makers have some really ill intentions.
Why would they go out of their way to portray Ravana as a hero?
Replying to @MostlyKohli
No. In Valmiki Ramayana (Uttara Kanda), Ravana kills Vidyujjihva (Surpanakha’s husband, a Kalakeya) during his conquest of the Kalakeyas. Surpanakha later confronts him for widowing her; Ravana claims it happened in the heat of battle without recognizing him. No maid or “protecting a woman” motive appears. The film scene is an adaptation.
Sources suggest that in Part 2 of Namit Malhotra’s Ramayana, Ravan will be shown reading Karl Marx’s Das Kapital.
After glorifying and justifying Ravan’s actions, the makers now seem determined to give him a complete image makeover, portraying him as a king who would go to any lengths to protect his praja, while also establishing him as a strong feminist.
Ravan deserves glorification 😵💫
Replying to @kansaratva
I feel Ravan deserves that too. He lived much much before Ram Bhagwan. Param shiv bhakt, jyotish, he made shani dev as prisoner.
Ramayana by Namit Malhotra is a very average movie.
You leave the theatre without a single dialogue worth remembering.
You leave the theatre without a single song worth humming.
You leave the theatre without any devotional feeling.
The movie fails to deliver.
The only thing you remember is Yash’s acting as Ravana.
There are some people who call themselves Hindus. They will burst crackers worth thousands of rupees during Diwali but can’t buy Temple for just ₹85,000 or 100 tickets for Namit Malhotra’s Ramayana.
“The problem is our taste, not Ind cinema” 😵💫
If #Ramayana fails, we lose the right to complain about Indian cinema not going global. The scale and ambition deserve appreciation.
We can't reject films like this and celebrate brainless movie like pathaan, Pushpa 1000 Cr Blockbusters. The problem is our taste, not Ind cinema.
Watch Ramayana because it’s made for Hindus and India. Think about the hard work and money invested in it. But no, you want to complain about the poor casting, music, and acting.
Buy Temple because it’s made by an Indian businessman. Think about the money that businessman has invested. But no, you suddenly want to know the science and data behind it.
Then don’t complain when India falls behind in filmmaking and technology.
India isn’t a country for innovation and business.
A businessman tries to build a health and fitness wearable, entirely made in India, and suddenly everyone wants to know the science and research behind it. Can’t you just buy it because it’s Indian? Isn’t being made in India reason enough for you to buy it?
Some people are saying it’s expensive at ₹85K, but Whoop charges almost ₹25K every year. Just because Whoop is backed by data and science, the same people are willing to pay more.
This is the reason India is unable to create a company like Whoop or Apple.
Just buy the temple. Science and data can wait.
Look at the depth and intensity of their acting. Meanwhile, in Namit Malhotra’s Ramayana, Bharat and Shatrughan look like side actors hired on a Dihadi.
Namit Malhotra’s Ramayana is a total downgrade from this. You can’t compensate for a lack of profundity and depth with VFX and CGI.
The director skipped every emotional moment to move on to another action sequence.
Don’t know why Kaushalya has almost no role in the movie.
During the Sita Haran sequence, Sita didn’t seem to fight back.
Ranbir’s acting upon hearing the news of Dashrath’s death was totally blank.













