CopySight AI

No need to tell more. That's CopySight. CopyScore gives any AI image or video a single score from 1 to 100: how close it sits to protected IP, with a report that shows exactly what was flagged. 💬 Comment COPYSCORE and we'll DM you free access.

One rule: no brands or characters in your prompts. Then we check what shows up anyway. Altera Meetup with CopySight, Atlanta, Nov 18, 6 PM. @Tommyartist joins live. RSVP: lnkd.in/emxd8SxR

Hailuo AI blocked violent and pornographic content before release. Copyright, according to the suit Disney, Universal and Warner Bros. Discovery filed against MiniMax, never got the same check (CNBC, Accelerate IP). One risk caught before it shipped. The other wasn't caught at all, because nobody built the process. Comment COPYSCORE to get free access to the platform.

We're testing about seven AI video models. Every one can drop a logo or an actor's face into a clip nobody asked for, and none catch it themselves. @Tommyartist on why platforms need an independent check. Reply COPYSCORE for free access.

SAG-AFTRA, the WGA and the AFM asked the court in the OpenAI case to deny AI training a blanket fair use pass. However the judge rules, studios still have to clear what they release. Your E&O insurer will ask about that before anyone asks about training. Comment COPYSCORE to get your personal promo code for the free access of our platform

Every frame a studio generates with AI is derivative. What matters is how close it lands to the original. @Tommyartist on TheMagnifier Podcast on measuring that distance, and why studios need one standard for clearing AI content. Comment COPYSCORE to get your personal promo code for the free access of our platform Full episode: youtu.be/pHWMK6s3RNo?is=CdiY…

Sunday at SVAIFF LA: Tommy presented one of the festival’s awards, after a panel on AI film and IP. Thanks to the SVAIFF team and everyone who came out.

Making an AI film is the fast part now. Signing off on releasing it is where things slow down. @Tommyartist talked about fixing that on a panel at SVAIFF LA on Sunday. #SVAIFF

A VFX artist says A$AP Rocky’s Shroom Clouds reused their 2019 footage, with AI swapping in Rocky. Unverified so far. Producers: if it holds, AI changed the face, not who owns the footage. And whoever signed the delivery answers for it.

Our CEO @Tommyartist joined @themagnifierai for EP 5 🎙️ With host Romain Brunswick, he talks about who owns what in the age of generative AI, why IP infringements are surging, and how CopySight detects protected IP before content goes live. Listen 👇 themagnifier.riverside.com/e…

Head of @instagram Adam Mosseri: AI content isn't throttled just for being AI. So reach is fine. The open question is whether the asset can ship, and that one lands on the agency that signed the indemnification. Who's checking before handoff?

We ran @GTA 6 through CopyScore. The only thing it recognized was GTA 6 itself. Then we asked an AI for “GTA 6 style.” Lucia and Jason both scored 93. Comment “CopyScore” to get your promo code for the free access to our platform copysight.ai and check whether your ad is clean. #gta6 #aicontent #ipinfringement

Studio AI teams can make a shot in an afternoon, then wait weeks for it to get cleared. @Tommyartist is speaking about it at SVAIFF in LA on Sunday, Nov 1. If your shots keep stalling in review, it’s worth showing up for. Get your tickets here: eventbrite.com/e/svaiff-sili…

What a week. CopySight spent @Techweek_ in the middle of it all, and on Thursday night we hosted an evening of our own as part of it! Tea, music, a view of the city, and some of our favorite people in AI and entertainment, with nowhere else to be. Thank you to everyone who came and logged off with us. To our team, for making it happen. To our investors and clients, for believing in what we’re building. And to the AI and tech community in LA, for showing up the way you did. Here’s to more nights like this one!

Feb to August. Six months to get from "there's a problem" to an actual answer on what was safe to ship. That's roughly what it costs when a platform's own enterprise customer asks "is this clean" and there's no fast way to answer. Building that answer in-house is a year of engineering. Adding it is a day.

At Venture Café Tokyo, Kenki Tamiya and Kaoru walked a room of Japanese companies through the real risks of using generative AI commercially, and what happens when AI-generated content ends up in a campaign, a product or a film without anyone checking where it came from. The fix is pretty simple, and it’s called CopySight. The best part came after the talk. Our conversation with Kaoru kept going well past the session, and we’re already exploring how to bring CopySight to more teams together. A few Japanese companies in the room also want to hear more, and those conversations are just starting. Thank you to Venture Café Tokyo for hosting, and to everyone who stayed for the questions. Tokyo, more soon 🇯🇵 #CopySight #GenerativeAI #AIGovernance

What a week. CopySight spent LA Tech Week in the middle of it all, and on Thursday night we hosted an evening of our own as part of it! Tea, music, a view of the city, and some of our favorite people in AI and entertainment, with nowhere else to be. Thank you to everyone who came and logged off with us. To our team, for making it happen. To our investors and clients, for believing in what we’re building. And to the AI and tech community in LA, for showing up the way you did. Here’s to more nights like this one! 🌆

Someone's AI short got checked. After it was already out. A film's got way more surface area than one image. Hundreds of frames, hundreds of chances something gets flagged, solo project or studio budget doesn't matter. Should verification happen before release or after? Right now, it’s mostly after.