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Film Comment Magazine retweeted
Now that PAPER TIGER is coming out, a reminder that I spoke with James Gray out of Locarno.
For @FilmComment we talked about the film, its use of sound and his love of art.
filmcomment.com/article/inte…
Film Comment Magazine retweeted
"All these reverberations set up a game of narrative ping-pong. As spectators, we’re punished for “believing” in characters as people when they’re only figures on a storyboard."
Molly Haskell (@haskmoll) on Pedro Almodóvar’s "Bitter Christmas"
Read: filmcomment.com/article/smal…
Film Comment Magazine retweeted
yakında woolrich çevirim çıkıyor, ben çıtlatmış olayım, siz de inşallah gerilime doyun.
Film Comment Magazine retweeted
🚨 Join us for a special edition of @FilmComment Live on Tuesday, December 8 as we host writer and FC Contributing Editor J. Hoberman and celebrate the publication of his latest book, Across the Movi-verse: Writing on Film, 2011-2021.
🎟️: filmlinc.org/hoberman
The evening will include a special screening of Gregory La Cava’s GABRIEL OVER THE WHITE HOUSE (1933) on 35mm 🎞️ and Dave Fleischer’s short film BETTY BOOP FOR PRESIDENT (1932) and will be followed by a discussion with Hoberman and subsequent book signing (copies will be available to purchase on site).
Film Comment Magazine retweeted
“Suffice it to say that Yamazaki’s boldest and most outlandish move is to suggest that, for better or worse, there’s a little Godzilla in all of us.”
Adam Nayman (@brofromanother) reviews Takashi Yamazaki’s "Godzilla Minus Zero"
filmcomment.com/article/mons…
Film Comment Magazine retweeted
Proud of my cameo in this review
xitter.twitterapi.xyz/FilmComment/status/211…
“Every step of the way, "I Play Rocky" depicts the making of "Rocky" by mirroring the film itself."
@MarkAschParody reviews Peter Farrelly’s pandering, frictionless portrait of a young Sylvester Stallone.
filmcomment.com/article/rope…
Film Comment Magazine retweeted
Damn it's nuts that there could be this much good stuff in a magazine
xitter.twitterapi.xyz/FilmComment/status/211…
Alex Cox's "Sid and Nancy" is 40 and we're looking back at the Oct 1986 issue, which featured an interview with Cox, + David Lynch, Spike Lee, David Byrne, Doris Dorrie, and an obit for Vincent Minnelli:
filmcomment.com/issues/septe…
Subscribe for full access to the archives.
Film Comment Magazine retweeted
This week on the Film Comment Podcast: Liani Greaves and @BarryJenkins talk "Once Upon a Time in Harlem"
Listen now: filmcomment.com/the-film-com…
Film Comment Magazine retweeted
Out of Sundance, @812filmreviews, @wtavlin, and @nataliawinke joined Editor Devika Girish on the Film Comment Podcast to discuss William Greaves and David Greaves’s "Once Upon a Time in Harlem," and other highlights of the festival.
filmcomment.com/the-film-com…
Film Comment Magazine retweeted
"The overwhelming effect of watching "Once Upon a Time in Harlem" is that of receiving a gift—a rare, doubly retrospective look back at the zeitgeist of the 1920s through that of the 1970s," wrote Devika Girish out of its Sundance premiere.
filmcomment.com/sundance-202…
Film Comment Magazine retweeted
“Every step of the way, "I Play Rocky" depicts the making of "Rocky" by mirroring the film itself."
@MarkAschParody reviews Peter Farrelly’s pandering, frictionless portrait of a young Sylvester Stallone.
filmcomment.com/article/rope…
Film Comment Magazine retweeted
This week on the Film Comment Podcast, "Once Upon a Time in Harlem" producer (and William Greaves’s granddaughter) Liani Greaves and filmmaker @BarryJenkins join Editor Devika Girish to talk about the newly resurrected portrait of the Harlem Renaissance.
filmcomment.com/the-film-com…
Film Comment Magazine retweeted
“As in all of Lee’s films, there is no cathartic restitution of hope or certainty.”
Phoebe Chen explores how in “Possible Love,” Lee Chang-dong deepens his inquiry into how the forces of habit, desire, and precarity shift our perception of reality.
filmcomment.com/article/pict…
Film Comment Magazine retweeted
At Cannes, critic Robert Daniels (@812filmreviews) & FC Contributing Editor/Asia Society programmer Inney Prakash joined the Film Comment Podcast to discuss Marie Kreutzer’s "Gentle Monster," which hits theaters this week.
Listen: filmcomment.com/cannes-2026-…
Film Comment Magazine retweeted
Remembering Peter Watkins (1935-2025) today on his birthday.
Revisit a @FilmComment podcast episode from last year (featuring J. Hoberman) that celebrated the great English filmmaker: filmcomment.com/the-film-com…
Film Comment Magazine retweeted
Our Fall 2026 issue is now live, with a cover story by Melissa Anderson (@MelissEAnderson) on Ryûsuke Hamaguchi’s “All of a Sudden”!
filmcomment.com/article/a-wa…
Film Comment Magazine retweeted
“The crisis that is our shared future puts unique demands on the coming-of-age film, a framework already saddled with the loss of innocence and the aching awareness of crossing an irreversible threshold.”
Read @bealoayza on “La Gradiva” & “Everytime”
filmcomment.com/article/on-t…
Film Comment Magazine retweeted
"No matter the part, though, all of her performances are distinguished by her extraordinary talent for nonverbal expression."
For her column Seeing Stars, @MelissEAnderson salutes Barbara O. Jones, one of the finest performers of the L.A. Rebellion.
filmcomment.com/article/seei…
Film Comment Magazine retweeted
From "Resident Evil" and "Digger" to "You Can See Everything" and "Once Upon a Time in Harlem," our favorite critics rate the latest new releases.
Check out the updated Critics' Grid: filmcomment.com/article/crit…
Film Comment Magazine retweeted
Film news
On this week’s episode of the Film Comment Podcast, Contributing Editor Inney Prakash and Assistant Editor Michael Blair join Editors @devikagirgayi and Clinton Krute to talk YOUR MOTHER YOUR MOTHER YOUR MOTHER, DIGGER, and YOU CAN SEE EVERYTHING
filmcomment.com/the-film-com…
