A traveler asked three bricklayers: "What are you doing?"
"Laying bricks," said the first.
"Building a wall," said the second.
"I'm building a cathedral!" beamed the third.
Same job, three perspectives.
Each day, see yourself as building your own cathedral - whatever that may be.
BREAKING: Masked Islamists are once again planning to riot in NYC.
Right now, they are outside the Jewish National Fund.
How is this legal?
In my opinion @JNFUSA should be pouring boiling oil out of the windows.
If these turd blossoms want to behave like Medieval invaders we should respond in kind.
CC: @JNFRobinson
3
54
In my opinion @JNFUSA should be pouring boiling oil out of the windows.
If these turd blossoms want to behave like Medieval invaders we should respond in kind.
CC: @JNFRobinson
BREAKING: Masked Islamists are once again planning to riot in NYC.
Right now, they are outside the Jewish National Fund.
How is this legal?
2
247
Anything shy of From The River To The Sea and you're the enemy.
When will people figure this out?
"Mayor Mamdani you're a sellout, pack your bags and get the hell out" - Pro-Palestine Protesters turned on the Mayor, saying the NYPD is escalating against them because Mamdani was embarrassed that they caught him at an Israeli vigil last month.
Video by @yyeeaahhhboiii2 | Licensing @FreedomNTV desk@freedomnews.tv
1
2
252
BREAKING: NYPD arresting masked Islamists after they attacked police in NYC.
All of them must be arrested.
I obviously know the history.
Start wherever you want to start.
Bottom line:
We have a claim to the land.
Perhaps others do too.
Attempts to drive us from the land or invalidate our claim are unacceptable to us.
That being the case our neighbors can choose peace or war.
They have consistently chosen war.
That's on them.
In order for there to be a conversation, there needs to be good faith.
Good faith includes concession when proven wrong.
You said Israel wasn't killing anyone in Gaza before 10/7. That is factually wrong.
Concede that error, and we can move on to the next topic of your choice.
1
1
3
People in Gaza are facing their fourth winter in tents. A brutal winter storm has flooded tens of thousands of families and killed at least five people.
Meanwhile, severe import restrictions by the Israeli authorities are keeping critical shelter materials out of Gaza. Aid groups estimate that they need about 121,000 tents for families who need shelter. They have 2,800.
The IRC’s Faten Abu Mousa works in Gaza and spoke to @CNN about what she’s seeing on the ground: edition.cnn.com/2026/11/10/t…
Mary Cassatt
Sleepy Nicolle, c. 1895–1905
Pastel on blue-gray wove paper (faded to tan), mounted on board
71 × 58.5 cm (28 × 23 1/16 in.)
Art Institute of Chicago, Chicago
@artinstitutechi
A mother holds a drowsy child close against her, the child’s head resting near her face. Cassatt signed the pastel lower right. By the late 1890s and early 1900s she had long lived and worked in France, and mother-and-child subjects had become the center of her work. She often worked in pastel for these intimate scenes, using the soft, blended strokes of the medium to catch the weight of a tired body and the quiet closeness of the two figures. The title names the child Nicolle. The sheet entered the Art Institute of Chicago in 1968 as the bequest of Dr. John J. Ireland. It belongs to the large group of maternal pastels Cassatt made in those years, when she was painting the everyday moments of care rather than public or fashionable life.
1
82
❤️
Each of the eight magnificent mosaics inside Berlin Cathedral's dome contains more than half a million tiny pieces of colored glass.
Designed by German artist Anton von Werner, the mosaics depict the Eight Beatitudes from the Sermon on the Mount. Each covers approximately 420 square feet (39 square meters), surrounded by elaborate gilded ornamentation and sculptural details.
At the center of the dome, a circular stained-glass window depicts a dove symbolizing the Holy Spirit.
The cathedral, designed by architect Julius Carl Raschdorff, was inaugurated in 1905. But much of its extraordinary interior decoration was lost or severely damaged during World War II, particularly after an air raid in 1944 devastated the dome.
Using von Werner's surviving original designs, specialists painstakingly recreated the mosaics over several years. The final mosaic was unveiled in 2002, nearly six decades after the destruction.
Today, the restored dome stands as both an architectural masterpiece and a remarkable achievement in historic preservation.
1
99
How do I feel about Palestinian suffering?
These people launched a war that they couldn't win.
They intentionally targeted civilians in the most diabolical ways imaginable.
They are still sworn to the destruction of Israel and the killing of Jews.
They have agency.
There are consequences.
3
147
BREAKING: Pro-Palestine protesters reportedly throw objects at former President Joe Biden & his family as they leave an event in Dublin, with at least 2 people arrested.
Claude Monet
Frost at Giverny (also known as Le Givre à Giverny), 1885
Oil on canvas
54 × 71 cm (21¼ × 28 in.)
Museum Barberini, Potsdam, Germany
Two small figures walk along a snow-covered path while a dense thicket of trees and bushes, thick with hoarfrost, fills the right half of the canvas. Monet signed the picture lower left. He had moved with his family to the village of Giverny in Normandy in April 1883, and by early 1885 a hard frost had whitened the countryside around the house. This canvas is one of a small group of winter views he painted outdoors that season before the ice melted. The loose, broken brushwork keeps the ground, the frosted branches, and the pale sky almost continuous, with only the two figures giving a clear sense of depth. The figures have been identified as Monet’s young son Michel and his stepson Jean-Pierre Hoschedé. The picture later passed through the London dealers Arthur Tooth & Sons and the collection of Montague Shearman before belonging for decades to the Earls of Jersey; it appeared at Sotheby’s, London, in 2013 and entered the Hasso Plattner Collection. It is catalogued as Wildenstein 963.
3
126
🇺🇸Seems appropriate for Veterans Day🇺🇸
Norman Rockwell
Americans at War, 1942
Oil on canvas
Dimensions not published in available sources
Current location of the original is not documented in museum catalogues, auction records, or the Norman Rockwell Museum’s public holdings
In 1942, with the United States newly in World War II, Norman Rockwell painted a sequence of American soldiers from earlier conflicts, each marked by the year of his war: 1812, 1846, 1861, 1898, and 1918. They stand in profile, rifles and bayonets in hand, against the stripes of the American flag. Rockwell was then living in Arlington, Vermont, and turning out cover after cover for The Saturday Evening Post while also taking government commissions meant to support the war effort. This painting places the present conflict in a longer line of American service. The figures are rendered with the same clear, observational detail Rockwell brought to his homefront scenes, so the viewer reads a continuous national story rather than a single battle. The original oil’s exact measurements and present owner remain unpublished.
61
The Jam
All Mod Cons
1978
Paul Weller – vocals, guitars, piano, harmonica
Bruce Foxton – vocals, bass
Rick Buckler – drums, percussion
All Mod Cons is the third studio album by The Jam, released on 3 November 1978 on Polydor. It marks a creative leap from their previous work, blending sharp mod-revival energy with more mature songwriting on tracks such as “Down in the Tube Station at Midnight,” “To Be Someone (Didn’t We Have a Nice Time),” “English Rose,” “In the Crowd,” and a cover of the Kinks’ “David Watts.” The title is a British pun on “all modern conveniences” and the band’s mod associations. After a difficult US tour supporting Blue Öyster Cult and a bout of writer’s block for Paul Weller, the first batch of material was rejected; the band regrouped and recorded a stronger set that became a critical and commercial success, reaching the UK Top 10. One notable detail is that “Down in the Tube Station at Midnight,” one of their strongest singles, was nearly discarded until producer Vic Coppersmith-Heaven rescued it from the studio.
61