Museum of the Moving Image is the only U.S. museum devoted to film, television, and digital media. Open Thurs–Sun, admission tickets available online.
Astoria, Queens, NY
Joined April 2010
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Museum of the Moving Image retweeted
I adored PAPER TIGER, “the kind of movie they don’t make anymore" that, thankfully, James Gray keeps making.
My review:
reverseshot.org/reviews/entr…
We've partnered w/ @thecoolidge to present five months of classic and contemporary Indian films starting this January:
PAKEEZAH (1972)
MANTHAN (1976)
DILWALE DULHANIA LE JAYENGE (1995)
SHOLAY (1975)
HUM AAPKE HAIN KOUN…! (1994)
Tickets on sale soon: movingimage.org/series/cinem…
Manic, irreverent, sexually charged, and absurd, DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB is a satirical masterpiece that is one of the seminal counterculture works of the 1960s.
See it in 35mm this Saturday!
🎟️: movingimage.org/event/dr-str…
This Friday (11/13), we’re kicking off the 2027 Marvels of Media Festival submissions season with an evening of food, music, and good company!
Mingle with with fellow media-makers and learn how to participate in next year’s festival.
RSVP: movingimage.org/event/2027-m…
Perfect if you just finished @TheBigPic's Gene Hackman Hall of Fame episode.
cc: @SeanFennessey.
William Friedkin’s breakthrough won Best Picture and four other Oscars, including Gene Hackman for Best Actor.
THE FRENCH CONNECTION screens this Saturday, part of our James Gray's New York series.
🎟️: movingimage.org/event/the-fr…
William Friedkin’s breakthrough won Best Picture and four other Oscars, including Gene Hackman for Best Actor.
THE FRENCH CONNECTION screens this Saturday, part of our James Gray's New York series.
🎟️: movingimage.org/event/the-fr…
Museum of the Moving Image retweeted
ZI is a "welcome return to Kogonada's indie roots . . . the film has a spontaneous and present quality that recalls some of cinema’s greatest city films."
@kathyyouu reviews ZI:
reverseshot.org/reviews/entr…
CABARET reinvented the movie musical for 1970s American cinema and all but wrote a new cinematic grammar for how to shoot and edit song and dance.
Kicks off our new series The Minellis in 35mm this Friday!
🎟️: movingimage.org/event/cabare…
Museum of the Moving Image retweeted
First time seeing this masterpiece on the big screen since its original theatrical run. Still bowls me over every time. Thank you @MovingImageNYC
Museum of the Moving Image retweeted
35mm!!!! The ONLY way to see this masterpiece AND in my favorite theater in the city! Head to @MovingImageNYC !
With RAGING BULL, Scorsese turned the boxing movie on its head, forgoing every cliché to create an indelible work of art.
See it this Sunday in 35mm, part of our James Gray's New York series.
🎟️: movingimage.org/event/raging…
KUBRICK · November 1–December 27
MoMI is pleased to present a complete retrospective of the legendary filmmaker’s work on the big screen.
Visitors can purchase @Criterion's The Complete Kubrick box set in our Museum store while supplies last.
Tickets: movingimage.org/series/kubri…
Museum of the Moving Image retweeted
Stanley Kubrick and Sterling Hayden behind the scenes of 'The Killing,' showing on 35mm this weekend @MovingImageNYC: thefilmstage.com/nyc-weekend…
With RAGING BULL, Scorsese turned the boxing movie on its head, forgoing every cliché to create an indelible work of art.
See it this Sunday in 35mm, part of our James Gray's New York series.
🎟️: movingimage.org/event/raging…
A jewellike masterpiece of film noir, FORCE OF EVIL is an evocatively shot cornerstone of 1940s New York cinema that comments on the dark effects of capitalism.
Screens this Sunday, part of our James Gray's New York series.
🎟️: movingimage.org/event/force-…
Museum of the Moving Image retweeted
Was honored to write the essay for @Criterion's release of the unforgettable 1983 domestic horror film TESTAMENT.
(criterion.com/current/posts/…)
Now I'm thrilled to present the film on 35mm with director Lynne Littman in person this Saturday @MovingImageNYC. Don't miss.
This Saturday, we're joined by Kogonada and Noam Argov for a special presentation of AFTER YANG + VERSE, followed by a conversation with both filmmakers.
Tickets: movingimage.org/event/embodi…
Museum of the Moving Image retweeted
Sublime, underseen, underappreciated. Don't miss your chance to see it on the big screen.
James Gray’s exquisitely mounted drama of New York immigrant lives at the turn of the last century forgoes period piece grandstanding in favor of finely etched authenticity.
See THE IMMIGRANT this Sunday, part of our James Gray's New York series.
🎟️: movingimage.org/event/the-im…
James Gray’s exquisitely mounted drama of New York immigrant lives at the turn of the last century forgoes period piece grandstanding in favor of finely etched authenticity.
See THE IMMIGRANT this Sunday, part of our James Gray's New York series.
🎟️: movingimage.org/event/the-im…
Don't miss A CLOCKWORK ORANGE (in 35mm) and MIDNIGHT COWBOY—two provocative masterpieces that were rated X upon release—screening this weekend at MoMI!
🎟️: movingimage.org/whats-on/scr…
Join us this Sunday (11/8) for the Small File Media Festival + workshop.
The SFMF raises awareness around the high carbon footprint of streaming with its annual international showcase of small-file treasures (1.44 MB per minute).
Learn more + Free RSVP: movingimage.org/event/small-…