I’ve always been interested in how traditional garments evolve through fabrication. Many of the silhouettes we wear today were originally developed for utility, and understanding that history is an important part of how I approach their design.
The black double-breasted jacket is constructed from Italian Manteco wool. Double-breasted tailoring has roots in naval uniforms, where overlapping fronts provided additional protection from colder weather. I wanted to preserve that sense of structure while giving the silhouette a more contemporary proportion.
The orange suede jacket was developed with Seven by Seven, one of my favorite Japanese brands. Their approach to reinterpreting American workwear through Japanese craftsmanship is something I’ve admired for years.
The green waxed cotton jacket references British country clothing, where waxed fabrics became essential for protection against wet weather. We introduced a patina-finished collar to contrast the utilitarian body with something more refined.
The cable-knit hoodie draws from the tradition of fishermen’s sweaters, originally developed for warmth and durability. Fully lining it in faux fur transforms a familiar knitwear construction into a substantial piece of winter outerwear.
What interests me most is preserving the integrity of these traditional garments while introducing materials and proportions that give them a new purpose.
