The online magazine for critical conversation about the expanding art world. Our physical anthology of historic texts is available from @VetroEditions 📓
Joined January 2022
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Welcome to the new Right Click Save.
Tired of the algorithm deciding what matters in art? We built something different.
A redesigned Magazine, a Forum for serious discussion, and an Index of the individuals, artworks & ideas defining digital culture.
rightclicksave.com
DIGITAL ART EXHIBITIONS TO SEE DURING PARIS PHOTO 2026
Photography turns 200 this week. Where to see digital art at @ParisPhotoFair from @solienne_ai at @automataisart, to Leslie Mezei's first solo show at 95.
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Written two years ago, and still profoundly relevant ↓
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This week: Our latest edition of Art & Tech Quarterly, Tokyo’s digital art scene, the future of media art, a $150k acquisition, and more.
Your weekly dispatch from the expanding art world ↓
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BREAKING NEWS: RIGHT CLICK SAVE RELEASES LATEST EDITION OF ART & TECH QUARTERLY
Read it here ↓
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Art Week Tokyo, mapped.
Basel Social Club's founders debut Tokyo Jazz Club in a former capsule hotel. Mariko Mori gets 30 years at the Mori Art Museum. Nam June Paik at Watari-um. teamLab on home turf.
Your guide, by @JebbL: rightclicksave.com/article/d…
a perfect Sunday morning = coffee + Right Click News ☕️🗞️
this week's edition features: @AlexEstorick, @Rrose_Selavy_11, Tim Kent, Aram Bartholl, @lilianelijn, @operator_______, Theo Triantafyllidis, & more...
REFLECTIONS ON RIGHT CLICK SAVE
As they move into advisory roles, the magazine’s Founding Editor, Alex Estorick (@AlexEstorick), and Head of Community, Danielle King (@Rrose_Selavy_11), discuss the ascent of sensemaking over tastemaking in the new art ecosystem
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THE IMMENSE MUSEUM OF STRANGENESS | TIM KENT
The painter discusses rest, recursion, and the eternal power of metaphysical painting in an age of uncertainty
By Alex Estorick (@AlexEstorick)
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WHERE IS THE INTERNET NOW? | ARAM BARTHOLL
For more than 20 years, the artist has taken online art into physical spaces. Now that AI may soon browse the internet for us, he asks what will be left of the web if we stop visiting it
By Anika Meier (@postanika)
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Mentions include: @Google @newrafael @MuseumModernArt #MuseumofFineArtsLeipzig #BradTroemel @tiktok_us @instagram @Meta
"One of the things we’ve been talking about in our future-oriented collecting here at @LACMA is looking backward. If big chunks of history get left out or lost, you lose the thread. One of our roles here is to build a genealogy..."
- Michael Govan
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"I always say there’s what the artist wants and what the material wants, and you meet somewhere in the middle."
- Rafaël Rozendaal (@newrafael) in conversation with Anika Meier (@postanika)
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"...one of the exciting things about the internet was that you could be yourself completely unedited. In the art world, there is always this question: Are you sure? I saw the internet more as a stream of consciousness."
- Rafaël Rozendaal (@newrafael)
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latest Right Click News is out, featuring:
Rafaël Rozendaal (@newrafael); @ArtBasel Paris; Zach Lieberman (@zachlieberman); Anna Ridler (@annaridler)
& much more 🔗👇
AN ARTIST’S LIFE, PART 2 | RAFAËL ROZENDAAL EXPERIMENTS WITH PAINTING
The internet art pioneer (@newrafael) tells Anika Meier (@postanika) how his income from digital art made it possible to extend his practice to canvas, enabling him to take breaks from being online
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AN ARTIST’S LIFE, PART 1 | RAFAËL ROZENDAAL GROWS UP ON THE INTERNET
Rafaël Rozendaal (@newrafael) speaks to Anika Meier (@postanika) about a quarter-century of making art online and the institutional recognition that has placed him in the timeline of art history
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Mentions include: @artblocks_io @MuseumModernArt @HerbertWFranke @rhizome #MuseumFolkwang @Miltos #Neen @Gagosian @jeffgdavis @foundation @vangoghmuseum @LACMA
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"Digital art resembles kinds of folk culture, and museums have always neglected folk culture, partly because they found it difficult to incorporate in their collections."
- Michael Connor (@michael_connor) of @rhizome
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MEMORY INSTITUTIONS | THE ECOSYSTEMS OF DIGITAL ART PRESERVATION
Michael Govan and Michael Connor (@michael_connor) discuss the care of digital art as a negotiation between the technical and the social
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"The physical and the digital are inseparable for me. I don’t even like the term digital art. The word digital means nothing to me because that’s our whole reality..."
- Parker Ito (@CreamyDreamy)
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