Leonidas

The information I’ve received from within DC regarding *Superman: Man of Tomorrow* is that the film is a complete disaster. According to reports circulating internally, *Superman: Man of Tomorrow* is facing a crisis far more serious than anticipated. What was initially envisioned as an ambitious follow-up—intended to solidify the new DC universe—has reportedly devolved into a project plagued by narrative issues, questionable creative choices, and significant behind-the-scenes tension. A primary concern centers on the story itself. The connection between the events of the first *Superman* film and the evolution of the villain fails to make sense, resulting in inconsistencies that undermine the plot’s development. Furthermore, the film is reportedly packed with an excessive number of cameos; rather than contributing to the narrative, these appear to have been included solely for shock value or to tease future projects, serving no genuine storytelling purpose. The portrayal of Brainiac has also drawn heavy criticism. His plan lacks a coherent foundation, and several of his decisions contradict the high level of intelligence that has historically defined the character. Instead of presenting him as a calculating, strategic threat—always several steps ahead of his adversaries—the film ends up making a mockery of his intellect. Superman, too, fares poorly. According to these accounts, the protagonist spends a large portion of the film being defeated, humiliated, and left incapacitated during various encounters. The action sequences consistently show Superman being outmatched, raising questions about how the character is being developed within this new era of DC. Additionally, creative choices involving Wonder Woman and Hawkgirl have sparked controversy. Reports mention a romantic scene between the two, as well as a confrontation with male villains—elements that, according to internal critiques, steer the narrative toward a symbolic message about the end of the patriarchy, rather than integrating these themes organically into the story. Added to this are numerous jokes and humorous situations that fail to land—seemingly reflecting the director’s personal vision rather than the needs of the story. The issues, however, extend beyond the film itself. The situation has reportedly caused significant friction between producers associated with Skydance and James Gunn, with questions raised regarding his creative direction and the failure to meet expectations for upcoming DC projects. There is even talk of a potential split and his departure from the company, though this remains unconfirmed by independent sources. Most concerning is the scenario currently under consideration: with the release just eight months away, *Superman: Man of Tomorrow* could face major production changes—potentially including a restructuring of the film, reshoots, or even the cancellation of the project entirely.

Kevin Smith knew 👀