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THE MUSEUM OF MODERN ART TO PRESENT MAJOR NEW COMMISSION
BY HOLLY HERNDON AND MAT DRYHURST
NEW YORK, October 9, 2026 — @MuseumModernArt will present a newly commissioned audio, visual, and performance-based work by renowned artists and musicians @hollyherndon and @matdryhurst, a newly commissioned audio, visual, and performance-based work by renowned artists and musicians Holly Herndon and Mat Dryhurst, marking the duo’s first solo presentation in New York. The commission will be staged jointly in the Museum’s Marie-Josée and Henry Kravis Studio (March 27–June 13, 2027) and on the Hyundai Card Digital Wall (March 27–September 6, 2027), marking the first time MoMA has presented an exhibition across both spaces simultaneously. In the Kravis Studio, Herndon and Dryhurst will create an immersive audio environment for musician-led live choral performances, which will be open to audience participation. The artists will use the collective sound from these events to train AI models and, in turn, generate a new audiovisual work-in-process that will be displayed concurrently on the Hyundai Card Digital Wall. Holly Herndon and Mat Dryhurst is organized by Michelle Kuo, Chief Curator at Large and Publisher, with Helena Klevorn, Curatorial Assistant, Department of the Chief Curator at Large, and Ho Won Kim, Hyundai Card Exchange Visitor.
Together, the two installations will turn the Museum into a laboratory for exploring the future of performance, technology, and human experience and the ways music, art, and machines can inspire collective emotion. Presenting new models for machine learning and human feeling, the exhibition will suggest how we might find ways to live with AI.
Herndon and Dryhurst train their AI models in public: Their spaces record the people who perform inside them and hold a memory of everything that happens there. New to this work is a focus on open-endedness, a branch of AI research built on the idea that the most important discoveries cannot be planned in advance and that rewards exploration over fixed goals.
Through participatory singing, the artists draw parallels between older musical forms and the call-and-response training of AI models and AI agents. They have also incorporated their own subjective associations, the sounds, images, and feelings to which they are drawn, to better understand their own minds and network them with others. In open-ended experiments with AI models, they investigate how human knowledge and AI might grow together, each pushing the other into new territory. The artists ask: Do machines not only learn, but feel? How has AI begun to shape not just our thoughts, but our deepest and most personal emotions and memories? How might humans shape this new world, in turn?
gm!
Piece from “Megacities,” a sub-collection of the SECTIONS series by @GrantYun2
Launching November 18th
Fellowship retweeted
gm!
Here is one of the Megacities to be auctioned next week! Will try and share a ton of images from this specific output so you all can sheer size of this one.
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Fellowship retweeted
Preserving one's own style within the constraints of coded art is genuinely tricky and Grant absolutely naild it here. I am beyond excited for this release.
Good luck brother ❤️
After Hours, from the Spaces collection by @GrantYun2
Collected by @delronde
gm!
SECTIONS by @GrantYun2 -POV from the car
Launching November 18th
Fellowship retweeted
On Nov 18th alongside our standard sale, we will also be auctioning 12 Megacities on the Fellowship site! 24 hour auction at 0.0Eth Reserve.
The following are just a few graphics comparing the two types of cities. 1300 Sections, 12 Megacities.
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"Office Park" from the SPACES collection by @GrantYun2 → Collected by
@MVY_0x
Fellowship retweeted
Will be slowly revealing all 1300 Sections you may be able to collect! Here are the first 100!
gm!
Piece from “Megacities,” a sub-collection of the SECTIONS series by @GrantYun2
Launching November 18th
"Squiggles" by @GrantYun2
Before Sections, Grant’s new long-form generative project, launches on Wednesday 18 November with @opensea, we are looking back at some of his past series.
Squiggles is Grant’s study of @ArtOnBlockchain’s Chromie Squiggle, the on-chain generative work by Erick Calderon. Grant redraws the Squiggle in his Neo-Precisionist style, the spare vector line he uses to draw ordinary places of American life.
The series has two works. Each one places the Squiggle in a quiet American scene. One is suburban. The other is urban, on a rainy day.
In both works, the rainbow curves stand at the scale of buildings against muted landscapes. A line that began as code on the blockchain takes up space in a street.
Squiggles asks what happens when a igital-native symbol enters the built environment. It can be read as a landmark of something new, or as an interruption in the way we remember our cities.
🔗 To explore @GrantYun2's latest exhibition, visit:
opensea.io/collection/sectio…
"Shiftwork" from the SPACES collection by @GrantYun2 → Collected by
@fun_nft
Fellowship retweeted
Hi Everyone! As we get closer to the drop day in LESS THAN 2 weeks! for Sections we are finalizing our white list/allow list!!
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Fellowship retweeted
Here are two selected Sections which have been curated into the upcoming drop. Notice the brown composition.
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