Kris Kashtanova

Transform each uploaded photo separately into an independent 3:4 vertical poster, without mixing images. The upper and lower halves should each occupy 50% of the composition, connected seamlessly at the center, with no visible frame or border. Upper Half — Original Photography Preserve the main subject, pose, proportions, spatial relationships, materials, lighting, and colors of the original photograph. Allow only subtle color correction, proportional cropping, or natural background extension. Do not distort, redesign, or alter the main subject. Lower Half — Abstract Graphic Interpretation Extract two or three recognizable visual characteristics from the same photograph, such as contours, movements, centers of gravity, or repeated visual rhythms. Use a minimal number of geometric color blocks, lines, cuts, overlapping printed shapes, and negative space to transform these features into independent abstract symbols that express movement and dynamic tension. Do not draw a complete representation of the original subject. Do not simply repeat, mirror, or duplicate the photograph. Visual Style — Deconstructed Swiss Design Follow the principles of digital imagery and deconstructed Swiss graphic design, emphasizing a single strong visual focus, restrained composition, and generous negative space. Extract one or two dominant colors and one supporting accent color from the original photograph. Combine these colors with a warm-white background, flat print-like color fields, extremely subtle paper grain, and slight local printing misregistration. Add only a few structurally meaningful lines, curves, and points. The design should feel experimental yet intentional, with strong visual rhythm, asymmetrical balance, and sophisticated editorial restraint. Typography Keep any text extremely small, understated, and readable. Typography should complement the composition without competing with the imagery. Restrictions Avoid large headlines, random fonts, watermarks, commercial UI elements, neon gradients, arbitrary geometric patterns, dense charts, heavy decoration, and outdated graphic design aesthetics. Final Aesthetic The finished poster should be concise, organized, contemporary, and visually striking, with a subtle handmade printing quality. Maintain a clear contrast between the realistic photographic upper half and the abstract graphic lower half while ensuring a seamless visual connection between them. The result should resemble a sophisticated experimental art poster created by an independent graphic designer, not a conventional photo collage or digitally filtered image.