Larry Fitzmaurice (@lfitzmaurice) profile picture

More screaming than you’d think // Subscribe to my newsletter: https://xitter.twitterapi.xyz/t.co/mY4AQgP7XW // Email: larry.fitzmaurice@gmail.com

Joined February 2009
Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)Photo by Larry Fitzmaurice (@lfitzmaurice)
(Uncle Kracker voice) Follow me
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It’s the ‘You Can See Everything’ interview you’ve been waiting for. Nathan Fielder, Lance Oppenheim, and, yes, Amanda Seyfried discuss making — and processing — their top-secret, mind-bending documentary. Dive in: rollingstone.com/tv-movies/t…
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Larry Fitzmaurice retweeted
Ebenezer is better than was expected. Those expectations are based on how Paramount is selling it. It’s gothic, but far from a horror movie. And it’s not wacky Johnny. He has moments, but it is a grounded, emotionally layered performance… easily his best in more than a decade.
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Larry Fitzmaurice retweeted
yapped w larry ‼️🗣️📢
Latest newsletter is a thought-provoking and extremely entertaining interview with @katie_dey on her fantastic new album, the music of her youth, living in Melbourne, Al Pacino movies, video games, falling out of love with the computer, and much more. Link in thread
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Le Cinema Club's current streaming pick is Mark Leckey's amazing short Fiorucci Made Me Hardcore—essential for anyone interested in dance music/hauntology/hypnagogia/etc lecinemaclub.com/now-showing…
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Larry Fitzmaurice retweeted
NEW ARMAND HAMMER LP 🐍🪜 SNAKES & LADDERS OUT NOW! Surprise drop. Plus the album as a playable board game — only 800 made. GET ALL THE DETAILS 👇mailchi.mp/backwoodzstudioz/… Snakes & Ladders is the eighth studio album from ELUCID and billy woods, collectively known as @ArmandHammerNYC. If there was ever a sense that these two might rest on their laurels, every moment of Snakes & Ladders is a repudiation of that notion. As always with these guys, the new work is sonically, lyrically, aesthetically, and emotionally different from what came before it. Here the heady, contemplative Mercy gives way to vibrance and violence. This is an album of the now, in all the senses of the word. Production-wise, woods and @cobratoof are joined by names familiar and new. But with the help of @WillieGreen1, the album’s sound is so seamless you would be excused for thinking there was a single hand behind it all.⁠ Production credits go to @mondieumusic, @clppng, @ANIMOSS_, @KennySegal, @sebbmode, Mekala Session, @chldactr, Saint Abdullah & Eomac, @THERAVADA, @jeff_markey , @MessiahMusik and @steeltippeddove.⁠
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Something to keep in mind
Chunky is the only Kong who ever talks to the Worm
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More thoughts later this week on the newsletter
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Larry Fitzmaurice retweeted
Taika Waititi: Whateva, man. Critics should loike, make their own movies or somethin James Gunn on Threads: Though I'm sad to see David go, I know Clavicular will be a great Superman in his own way! Michael Mann:
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I do not subscribe to most "you had to be there" 2000s nostalgia, but the feeling of getting 2 on while listening to this album was truly one of a kind
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It feels, on a level, deeply embarrassing to be such a mark for Noah Kahan, akin to having someone walk in on you while you’re going to the bathroom. But they walk in nonetheless
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One of the funnier and more on-brand things to happen this year was M.I.A. releasing a relatively satisfying comeback album steeped in religion with the central message that she herself is a messianic martyr
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Thought this was Tim Robinson
I’m not gonna spoil the new season of Love is Blind Boston, but prepare to be repulsed every time Scott opens his mouth #loveisblind
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Great record, interview with Chuck coming on the newsletter on Friday
New York guitarist Chuck Roth's latest album combines bracing extended techniques and dulcet, understated vocals; it’s a dazzlingly inventive fusion of singer-songwriter forms and free-improv energy pitchfork.com/reviews/albums…
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New Baker's Dozen is up for paid subscribers, with thoughts on $ilkmoney's provocative Jonathan Majors ruminations, Khalid's slow evolution into something a little less boring, and much more. Link in thread
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Subscribe to the newsletter, $3/month or $30/year, to read this and all other paywalled posts. Great way to support an 100% independent culture publication last-donut-of-the-night.ghos…
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