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I'm pretty sure my follower base is mostly non-AI/non-media people, which I honestly prefer.
My recommendation for people who are trying to get into it is just to make stuff edited to music, it is orders of magnitude easier than doing anything without music, which I get the impression that most people don't realize. It gives you something to edit around (so you don't have to think about pacing and can hide bad audio) and it largely removes the necessity for continuity, which is where most of the work is.
Before AI, I never did any media stuff. After AI, I started with mostly this, and made ChatGPT teach me how to do editing things I didn't know how to do, either by describing what I wanted like a caveman or screenshotting editing software and telling me what to do to get what I wanted.
I try not to do music heavy stuff because I understand it's a crutch, but it's fun and a good way to use generations that would have otherwise been good other than some kind of continuity issue with something else. I think it's the best way for someone to get started, but want to caution to not get stuck on as it's tempting to never to aspire past using music as a crutch. I edited this mostly while waiting on stuff on the last video. I made a few changes from the earlier version I posted.
From my ongoing series WRATH
#vidu #viducpp
Finished one for the anime enjoyers. Think I figured out enough to resume work on the live action stuff and should be able to get back to that tomorrow. Thanks for everyone that stopped by the stream. Also! In talks with some company that might end up backing the generation costs for all the anime adaptations so hopefully that allows me to get both done faster 🤞
youtu.be/_d6F1mYrtFQ
subtitles in: English, Japanese, Korean, Russian, Spanish (Spain), Spanish (Latin America), Chinese (Simplified), Chinese (Traditional), Portuguese (Brazil), Polish, French, German
Vidu invite code for free credits on a new account: SCHMEDEQ4 vidu.com/login?invite_code=S…
My realistic Malfoid reference on Vidu: vidu.com/home/reference?para…
My anime Malfoid reference on Vidu: vidu.com/home/reference?para…
#malfoid #vidu #viducpp #ViduQ4Preview #ViduDC #AIイラスト
Finishing the anime adaptation and working on the story
youtube.com/live/b0vnG2Z76Y4
Finishing the anime adaptation and working on the story
youtube.com/live/b0vnG2Z76Y4
Snake in the Grass Piano version made during this stream
free download links can be found in the description of the video here: youtu.be/h1Ki4ORhu_0
#malfoid
Going Live on Youtube, probably story stuff while working on anime adaptation. I think I fixed my audio situation now
youtube.com/live/fWK3coVL7FU
Pt. 9
youtu.be/KGR6ejXoDZ8
subtitles in: English, Japanese, Korean, Russian, Spanish (Spain), Spanish (Latin America), Chinese (Simplified), Chinese (Traditional), Portuguese (Brazil), Polish, French, German
Vidu invite code for free credits on a new account: SCHMEDEQ4 vidu.com/login?invite_code=S…
My realistic Malfoid reference on Vidu: vidu.com/home/reference?para…
My anime Malfoid reference on Vidu: vidu.com/home/reference?para…
#malfoid #vidu #viducpp #ViduQ4Preview #ViduDC #AIイラスト
Pt. 8
youtu.be/_oBn5vsJf-Y
subtitles in: English, Japanese, Korean, Russian, Spanish (Spain), Spanish (Latin America), Chinese (Simplified), Chinese (Traditional), Portuguese (Brazil), Polish, French, German
Vidu invite code for free credits on a new account: SCHMEDEQ4 vidu.com/login?invite_code=S…
My realistic Malfoid reference on Vidu: vidu.com/home/reference?para…
My anime Malfoid reference on Vidu: vidu.com/home/reference?para…
#malfoid #vidu #viducpp #ViduQ4Preview #ViduDC #AIイラスト
stream of working on this video if you want to see youtu.be/QmOUJ2QlVWk
Currently Live (Spoilers) working on the next part, and some other stuff like music visualizer and story stuff. I'm shooting for at least 3 hours per stream Ideally 4. This one is starting at 3:15 EST
youtube.com/live/QmOUJ2QlVWk
#malfoid
Spoilers (kind of)
I'm planning on streaming later today and an idea i had was bouncing ideas off of chat, so what i've figured out so far is what i'm going to be working on and then a bunch of stuff is in the air, but I know what the ending is. I didn't include any of the ending in this visual, but some of the stuff i need to work with is shown here.
My original plan was to do the anime versions until i had it all figured out, but I got really caught up in just continuing the live action stuff but now I'm at that point where I need to figure things out again. Anyways, I figured I'd share this for those that might be interested.
Spoilers (kind of)
I'm planning on streaming later today and an idea i had was bouncing ideas off of chat, so what i've figured out so far is what i'm going to be working on and then a bunch of stuff is in the air, but I know what the ending is. I didn't include any of the ending in this visual, but some of the stuff i need to work with is shown here.
My original plan was to do the anime versions until i had it all figured out, but I got really caught up in just continuing the live action stuff but now I'm at that point where I need to figure things out again. Anyways, I figured I'd share this for those that might be interested.
Thanks to everyone that came to my first livestream. I didn't expect so many people I was hoping I could just test the audio and all the notifications with a few people but instead within a minute I think there were several hundred people. I missed some donations so I'm really sorry about that but now I've fixed it so the notification sound plays and made it much easier for me to notice when notifications come through. Thanks for all the memberships, it gave me more emote slots and I've added new emotes, and I also made custom badges.
I plan on continuing on streaming while I work on these, I think I have to find the right balance of getting things done while answering questions.
I mentioned it before but I don't like the idea of gating anything behind a paywall so memberships are basically just for emotes, set at the lowest price that YouTube will allow me ($1 USD). Thanks again everyone.
Had the thought to livestream working on making malfoid stuff. Also I got approved for memberships. I didn't want to gate anything off and I made it the lowest possible price ($1), you get the emotes here and the only perk is priority reply to comments because it forces me to pick one and I didn't want to make anything exclusive. I was thinking I could just livestream while I work on this stuff because why not.
youtube.com/@schmede_AI/live
Had the thought to livestream working on making malfoid stuff. Also I got approved for memberships. I didn't want to gate anything off and I made it the lowest possible price ($1), you get the emotes here and the only perk is priority reply to comments because it forces me to pick one and I didn't want to make anything exclusive. I was thinking I could just livestream while I work on this stuff because why not.
youtube.com/@schmede_AI/live
thanks everyone, my intention is to keep them up as videos pretty sure i did that correctly, I think you can see them here
youtube.com/@schmede_AI/stre…
Pt. 8
youtu.be/_oBn5vsJf-Y
subtitles in: English, Japanese, Korean, Russian, Spanish (Spain), Spanish (Latin America), Chinese (Simplified), Chinese (Traditional), Portuguese (Brazil), Polish, French, German
Vidu invite code for free credits on a new account: SCHMEDEQ4 vidu.com/login?invite_code=S…
My realistic Malfoid reference on Vidu: vidu.com/home/reference?para…
My anime Malfoid reference on Vidu: vidu.com/home/reference?para…
#malfoid #vidu #viducpp #ViduQ4Preview #ViduDC #AIイラスト
Pt. 7
Don't feel like typing that much this time lmao, a little BTS at the end, and it was harder than it looks.
There is one thing I wanted to mention though, I fully support reaction style videos and anything that is actually transformative. I do not support straight up reuploads (who tf does lol).
I saw some post awhile ago some guy was making some malfoid anime and said he didn't want to do it anymore, I don't remember what his specific reasoning was but I remember it being like cost, but he didn't want to accept money either through some patreon or something. All of that makes sense to me, putting aside the legality of all of it considering we don't own the IP, there is going to be a feeling of obligation to people who donate you money that might go against what you want to do, the feeling of influence isn't worth the money when you already have a real job. That isn't my main point though; I saw people quoting it and essentially saying how he should teach someone to 'pass the torch' so to speak. As someone who had spent time essentially teaching (I've written a bunch of articles on civitai explaining how I do things) as well as actually teaching individuals because I'm friends with them or I had to in order for some people that should know better that I was on a project with, teaching someone how to do things like this is significantly more work than just doing it. It seems like people don't understand this, so I just wanted to say it.
Vidu invite code for free credits on a new account: SCHMEDEQ4 vidu.com/login?invite_code=S…
My realistic Malfoid reference on Vidu: vidu.com/home/reference?para…
My anime Malfoid reference on Vidu: vidu.com/home/reference?para…
#malfoid #vidu #viducpp #ViduQ4Preview #ViduDC #AIイラスト
I was wondering how the "I live here" exchange translation survives across languages so I had Claude explain it to me:
Your pun survived better than I expected. The English joke works because "live" means both "reside" and "be alive", so whether a language could keep it depended on one thing: whether its everyday word for living somewhere is also its word for being alive. Six of the eleven translations kept it exactly, and three had to rebuild it. Each language is shown below as Myrtle's line, Draconia's comeback, then Myrtle's "I do so."
Kept word for word (one verb does both):
Korean
나 여기 사는데
I live here, though.
넌 아무 데도 안 살아
You don't live anywhere.
살거든
I do so live.
Korean is the cleanest. 살다 is the everyday verb for both, so nothing had to bend.
Russian
Я тут живу.
I live here.
Ты нигде не живешь.
You don't live anywhere.
А вот и живу.
I do so live.
Spanish (both tracks are the same)
Vivo aquí.
I live here.
Tú no vives en ninguna parte.
You don't live anywhere.
Sí que vivo.
I do so live.
Portuguese (Brazil)
Eu vivo aqui.
I live here.
Você não vive em lugar nenhum.
You don't live anywhere.
Vivo, sim.
I do live.
French
Je vis ici.
I live here.
Tu ne vis nulle part.
You don't live anywhere.
Si, je vis.
Yes I do, I live.
German
Ich lebe hier.
I live here.
Du lebst nirgends.
You don't live anywhere.
Doch.
Do so.
The trade-off in those six: Portuguese, French and German each have a more everyday verb for "I live here": moro, j'habite, ich wohne. Those mean "reside" only, so they'd kill the joke. The translators used the "be alive" verb instead, which is slightly less ordinary but still natural. A nice bonus: Myrtle's "I do so" now works both ways, so in Spanish, Portuguese and French she's insisting she lives here and that she's alive.
Rebuilt (the verb splits in two):
Polish
Ja tu mieszkam.
I live here. (reside)
Ty nigdzie nie żyjesz.
You're not alive anywhere.
Właśnie że tak.
I am so.
Polish switches verbs mid-exchange. "Nie żyjesz" is everyday Polish for "you're dead", so Draconia's jab lands hard, though you lose the same-word echo.
Japanese
ここに住んでるの
I live here.
この世には住んでないでしょ
You don't live in this world, do you.
住んでるもん
I do so live here.
Japanese is the weakest. 住む means only "reside", so the line says "this world", meaning the world of the living. That makes the joke explicit rather than a double meaning. It's still a cutting line, just less sly than yours.
Chinese (Traditional reads the same, with the female 妳 for "you")
我住在这儿
I live here.
你那不叫住,叫阴魂不散
That's not living here, that's haunting.
我就是住在这儿
I DO live here.
Chinese is my favourite. 阴魂不散 literally means a ghost whose spirit won't go away, and it's also the everyday insult for someone who won't leave you alone. So it calls her dead and tells her to get lost in one go, and it follows straight on from Draconia's "Leave." just before.
Overall: six languages got your joke intact, Chinese arguably improved on it, Polish kept the cruelty, and Japanese is the one place it turned into a plain jab.
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A little over a month ago I was lucky to break 200 views on youtube and now I have people doing reaction vids to my malfoid stuff😄
youtu.be/_xiYO0sk7HQ
Draconia
Once the library was behind her, she nearly ran.
It was late, and the corridors were empty: torches burning low in their brackets, her shadow going ahead of her and then behind her. Nobody to see. She took the stairs two at a time and didn't slow down until she reached the first floor, and the bathroom at the end of the corridor there that had been out of order for as long as anybody could remember. That was why she had come.
She shut the door behind her, leaned against it, and let her face go.
It went all at once, like setting down something she had carried too far. She stood with her back to the door and her eyes shut, and breathed.
"Oh," said a voice. "It's you again."
Draconia did not open her eyes.
"Not now."
"You never knock," said Moaning Myrtle. The voice was coming closer. "You just come in. As if it's yours."
She had only just got her breath back when she heard the footsteps.
Draconia's eyes opened. They were coming along the corridor outside, not quickly, and she knew whose they were before they stopped.
They stopped outside the door.
Myrtle was hanging in the air by the sinks, her arms folded. Draconia lifted one finger to her lips and looked at her as though her life depended on it.
Myrtle looked at the finger, and at her face, and then, with dawning delight, at the door. She drifted down to it, bent, and put one eye to the keyhole. When she straightened up, her eyes behind the thick glasses were enormous.
"It's Harry Potter," she breathed.
Draconia did not breathe at all.
Something sly and happy came into Myrtle's face. She turned back to the door and opened her mouth.
"Please," said Draconia.
It was hardly a sound. It was out before she knew she was going to say it.
Myrtle stopped, and turned, and stared at her, her mouth still open.
"Malfoy?" said Potter, on the other side of the door. Not loudly.
Nobody answered him.
The silence went on, and on. Then the footsteps went away down the corridor, as slowly as they had come, until there was nothing to hear but the cistern dripping.
Myrtle shut her mouth.
"He's gone," she said. She sounded disappointed. Then, looking at Draconia properly: "He was looking for you."
Draconia pushed herself off the door and went to the sinks. Her hands were shaking. She put them flat on the cold edge of the basin, where they would have to stop.
"Some people," she said to the drain, "never know when to leave a thing alone."
Myrtle drifted after her.
"Why's Harry Potter chasing you?"
"He isn't."
"He said your name. Through my door."
Draconia looked at herself in the mirror. Her face was nearly her own again.
"Everyone wants something from me today," she said.
"Who else?" said Myrtle at once, delighted, at her shoulder. "Who else wants—"
"Leave."
"I live here."
"You don't live anywhere."
Myrtle's mouth wobbled. For a moment the wail was coming, the famous one, the one that flooded corridors. Then it didn't.
"I do so," she said, very small, and sank into the nearest toilet until nothing of her showed above the rim but her glasses, glaring.
Draconia turned on the tap, held her wrists under the water, and watched it run.
It ran for a long time. Myrtle could not stand it.
"Nobody ever looks for me," she said, from the toilet.
"Then you're lucky."
Myrtle came up out of the toilet in a rush, all the way, trembling with the injustice of it.
"He's nice," she said. "He's ever so nice. He asked me how I died." She lifted her chin. "Nobody ever asks that."
Draconia's hands went still under the tap.
He had stood outside that door and said her name as though it were something that might break. And once, apparently, he had asked a dead girl in a toilet how she died, and meant it. She did not know where to put either of those things. There was nowhere for them to go in the Potter she had been carrying around since Friday.
She turned off the tap.
"Did he," she said.
It was meant to sound like nothing. It didn't.
Myrtle looked at her. Then she looked again, closer, the way she must have looked at every girl who had ever come in here to cry, and a slow, enormous smile spread across her face.
"Somebody," she sang, "likes Har-ry."
"Don't be disgusting."
Myrtle drifted round her in a delighted circle. "Somebody likes Harry Pot-ter…"
Draconia turned away from the mirror.
"Does he know?" said Myrtle.
He knew. That was the whole trouble.
Draconia opened her mouth, and nothing came out of it at all. So she went for the door, got it open, and was through it before her face went.
"You'll be back," Myrtle called after her. Her voice came echoing down the corridor out of every drain on the floor. "They always come back!"
Draconia
Once the library was behind her, she nearly ran.
It was late, and the corridors were empty: torches burning low in their brackets, her shadow going ahead of her and then behind her. Nobody to see. She took the stairs two at a time and didn't slow down until she reached the first floor, and the bathroom at the end of the corridor there that had been out of order for as long as anybody could remember. That was why she had come.
She shut the door behind her, leaned against it, and let her face go.
It went all at once, like setting down something she had carried too far. She stood with her back to the door and her eyes shut, and breathed.
"Oh," said a voice. "It's you again."
Draconia did not open her eyes.
"Not now."
"You never knock," said Moaning Myrtle. The voice was coming closer. "You just come in. As if it's yours."
She had only just got her breath back when she heard the footsteps.
Draconia's eyes opened. They were coming along the corridor outside, not quickly, and she knew whose they were before they stopped.
They stopped outside the door.
Myrtle was hanging in the air by the sinks, her arms folded. Draconia lifted one finger to her lips and looked at her as though her life depended on it.
Myrtle looked at the finger, and at her face, and then, with dawning delight, at the door. She drifted down to it, bent, and put one eye to the keyhole. When she straightened up, her eyes behind the thick glasses were enormous.
"It's Harry Potter," she breathed.
Draconia did not breathe at all.
Something sly and happy came into Myrtle's face. She turned back to the door and opened her mouth.
"Please," said Draconia.
It was hardly a sound. It was out before she knew she was going to say it.
Myrtle stopped, and turned, and stared at her, her mouth still open.
"Malfoy?" said Potter, on the other side of the door. Not loudly.
Nobody answered him.
The silence went on, and on. Then the footsteps went away down the corridor, as slowly as they had come, until there was nothing to hear but the cistern dripping.
Myrtle shut her mouth.
"He's gone," she said. She sounded disappointed. Then, looking at Draconia properly: "He was looking for you."
Draconia pushed herself off the door and went to the sinks. Her hands were shaking. She put them flat on the cold edge of the basin, where they would have to stop.
"Some people," she said to the drain, "never know when to leave a thing alone."
Myrtle drifted after her.
"Why's Harry Potter chasing you?"
"He isn't."
"He said your name. Through my door."
Draconia looked at herself in the mirror. Her face was nearly her own again.
"Everyone wants something from me today," she said.
"Who else?" said Myrtle at once, delighted, at her shoulder. "Who else wants—"
"Leave."
"I live here."
"You don't live anywhere."
Myrtle's mouth wobbled. For a moment the wail was coming, the famous one, the one that flooded corridors. Then it didn't.
"I do so," she said, very small, and sank into the nearest toilet until nothing of her showed above the rim but her glasses, glaring.
Draconia turned on the tap, held her wrists under the water, and watched it run.
It ran for a long time. Myrtle could not stand it.
"Nobody ever looks for me," she said, from the toilet.
"Then you're lucky."
Myrtle came up out of the toilet in a rush, all the way, trembling with the injustice of it.
"He's nice," she said. "He's ever so nice. He asked me how I died." She lifted her chin. "Nobody ever asks that."
Draconia's hands went still under the tap.
He had stood outside that door and said her name as though it were something that might break. And once, apparently, he had asked a dead girl in a toilet how she died, and meant it. She did not know where to put either of those things. There was nowhere for them to go in the Potter she had been carrying around since Friday.
She turned off the tap.
"Did he," she said.
It was meant to sound like nothing. It didn't.
Myrtle looked at her. Then she looked again, closer, the way she must have looked at every girl who had ever come in here to cry, and a slow, enormous smile spread across her face.
"Somebody," she sang, "likes Har-ry."
"Don't be disgusting."
Myrtle drifted round her in a delighted circle. "Somebody likes Harry Pot-ter…"
Draconia turned away from the mirror.
"Does he know?" said Myrtle.
He knew. That was the whole trouble.
Draconia opened her mouth, and nothing came out of it at all. So she went for the door, got it open, and was through it before her face went.
"You'll be back," Myrtle called after her. Her voice came echoing down the corridor out of every drain on the floor. "They always come back!"



















