A gallery of galleries.
London
Joined January 2022
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Verse retweeted
"Look Outside"
collaboration with @DV_gh0st coming next week!
enjoy this promo with sound on, add the drop to your calendar ⤵
Verse retweeted
SUN — live code-based audiovisual performance
at Tokyo Jazz Club @drmiminguyen @nguyenwahed
SUN itself is coming soon. Your own sun, in the palm of your hand.
Verse retweeted
A beautiful booth, and a really lovely new work from @mattdesl. From an initial standpoint, 'Partial Exposure — a Paris café' (pictured) is my favourite piece.
Feeling nostalgic for my first visit to Paris Photo, exhibiting with @nguyenwahed in 2023, where we showed Matt's 'Hachure' (#6 pictured) as part of a group presentation, 'In Conversation With' 🫶
‘Partial Exposure’ showing at Paris Photo this week with @automataisart @AmeesiaMarold @seth, alongside artists: @harmvddorpel @100o111 @isthisanart_
Verse retweeted
always love chatting with @leyla_solos @solos_gallery
Verse retweeted
form of solitude #14
palette : Rose Ash
mode : Moon
antondubrovin.xyz/formofsoli…
Verse retweeted
Q: Do you think fans of A CLOCKWORK ORANGE would like your SUMMON SOMETHING art?
A: probably, but I’m more like black flag…damaged…and this FRIDAY THE 13th is the ENDUCTION HOUR…the hour where i put a HEX on you to buy art made with a 🔪 and ⚾️ @HEXEN_DUCTION @verse_works
Verse retweeted
INSTITUTIONAL GLITCH +++ Drop via @verse_works
Auction opens Nov 12 at 6:00pm
Fiat money runs on a promise: that a number in an account will hold the same value tomorrow as it does today.
Since 2008, that promise has increasingly rested on tools that were exceptional a few years earlier and are now routine: negative interest rates, unprecedented balance sheets, abrupt rate reversals.
Each response to a crisis lays the ground for the next. The system becomes more fantastical without becoming more stable, producing new crises in ever shorter intervals, from the eurozone debt crisis to the recent resurgence of inflation.
Verse Talks X Evil Biscuit
“So, like we made 11,000 and all of them are handpicked. Like we didn’t leave any of that up to generation or randomness.
All of them, whether it’s the commons or the rares, we had like a row of two by three, and it showed so it showed six cards at once, and we could decide immediately if we liked one or if we wanted to regenerate.
So that was a key part of it.”
Full podcast ↓
