Amory Blaine

Best pieces of DLC for Mass Effect (all included in the Legendary Edition) 1. Citadel 2. Lair of the Shadow Broker 3. Leviathan 4. Javik: From Ashes 5. Bring Down the Sky 6. Kasumi: Stolen Memory 7. Overlord 8. Omega 9. Extended Cut 10. Arrival

I see a lot of people expressing shock and sadness over BioWare shutting down. And I get it. But here's the uncomfortable truth: The BioWare that made Baldur's Gate, Neverwinter Nights, KOTOR, Dragon Age: Origins and the original Mass Effect trilogy had largely ceased to exist long before yesterday's announcement. BioWare's decline began around the time the doctors left and much like what happened at Blizzard, most of the original talent responsible for building those legendary franchises had moved on years ago. What remained was the brand. The IP. Basically just the name on the building. But a studio's name doesn't make great games. Insanely talented people do. And that's the lesson our industry somehow keeps refusing to learn. The people who built those studios, who poured their blood, sweat and tears into establishing their creative identities were the actual assets. Their experience, their taste, their leadership, their ability to recognize what made a game special in the first place was always the thing that mattered, not the brand. You can't simply replace those people, keep the logo on the door and expect the magic to continue. Yet, that's precisely what publishers have been doing for the past 10-20 years. They've spent billions acquiring studios and IPs, seemingly under the assumption that the creative output would continue regardless of who was actually making the games. And when the original talent inevitably left, the remaining teams were expected to fill shoes that were often impossibly large, without necessarily having the experience, leadership or creative vision required to do so. And... the results speak for themselves. I think we'll eventually look back at the COVID-era acquisition frenzy as one of the most destructive periods in the history of our industry. Publishers were buying studios left and right, paying absurd valuations mostly just to secure IPs... and developers were often all too happy to cash out. At Moon Studios, we got quite a bit of crap for refusing to sell when seemingly everyone else was getting acquired. I remember telling our team back then that I'd seen this movie before. The exact same thing happened in the 90s, when EA went on its acquisition spree. Studios were bought, their founders and creative leaders gradually lost the freedom to make the games they believed in, the original talent became frustrated and left and eventually the studios all became a Ship of Theseus. History doesn't repeat itself perfectly, but it sure as hell rhymes, and that's exactly why I never wanted Moon to end up in that position. And I don't think we're even halfway through the ultimate fallout of the latest acquisition frenzy. There's going to be a very rude awakening for quite a few publishers when they discover that the studios they acquired for billions are worth a fraction of what they paid. And that shoving ideology down peoples throats ultimately came at a cost that they didn't quite grasp. They didn't actually buy the creative vision, the institutional knowledge or the culture responsible for making those studios successful. They bought the names, the buildings, the IPs and whatever teams happened to be there at the time. But those things don't matter at all. You can buy a studio. You can buy its IP. You can even buy its entire back catalogue. But you can't buy the magic that made those games special in the first place. And the sooner our industry understands that, the better.

Knowing EA, they’ll just chuck BioWare’s IPs into a vault and never use them again. That’s what they have historically done with every studio they’ve acquired and killed.

This might strip me of all my remake-hater bonafides, but I’d be so okay with a GOW 2 remake if it plays at all like E-Day. They did a real good job at refreshing the cover shooter gameplay here and I’m not sure they ever plan on making sequels to Gears 4/5

As much as i like @digitalfoundry this guy has been negative about the Switch2 since the beginning. "Slippery slope"?? Instead of celebrating the fact that Switch2 users can enjoy the majority of the PS5 and XBOX third party library thanks to the Nvidia hardware that the machine has, lets just call it a "slippery slope" to get some views in 🙄🙄 #nintendo #switch2

idk why everybody is tripping over the zoom aspect when 90% of meetings, etc. these days happen online now

Completion #8 of 2026 - Forza Horizon 5 (2021) Finished April 2026, on an Xbox Series X in quality mode. Like a lot of you, I play games for the same reason I watch film and TV - to feel something. One emotion we underrate in critiques of video games is joy, and that’s exactly what Horizon 5 provides in spades. The festival vibe oozes off the screen and out of your sound system via the beautiful tropical Mexico pastiche, and the excellent soundtrack (though I would argue it’s not quite as good as FH4’s). Obviously Im aware this is an arcade rather than sim racer, but in terms of the art form, it’s definitely the simulation gameplay that takes precedent here vs the storytelling (and that is not a problem for me with this kind of game). That being said, I did enjoy having the protagonist of FH4 return to star here in 5, and to play the superstar rather than yet another “up and comer”. Apparently I’m in the minority with this view. I recommend this to anyone, before music licensing leads to it eventually being delisted for, stores like its predecessors. #Forza #ForzaHorizon5

Completion #8 of 2026 - Forza Horizon 5 (2021) Finished April 2026, on an Xbox Series X in quality mode. Like a lot of you, I play games for the same reason I watch film and TV - to feel something. One emotion we underrate in critiques of video games is joy, and that’s exactly what Horizon 5 provides in spades. The festival vibe oozes off the screen and out of your sound system via the beautiful tropical Mexico pastiche, and the excellent soundtrack (though I would argue it’s not quite as good as FH4’s). Obviously Im aware this is an arcade rather than sim racer, but in terms of the art form, it’s definitely the simulation gameplay that takes precedent here vs the storytelling (and that is not a problem for me with this kind of game). That being said, I did enjoy having the protagonist of FH4 return to star here in 5, and to play the superstar rather than yet another “up and comer”. Apparently I’m in the minority with this view. I recommend this to anyone, before music licensing leads to it eventually being delisted for, stores like its predecessors. #Forza #ForzaHorizon5